Suzanna
Arundhati Roy was born in born November 24, 1961. She was raised
in India by her mother after her father left the family. She received an
education from the School of Architecture and Planning, Delhi, where she met
Gerard de Cunha, whom she lived with for awhile before their relationship
ended. She received a position with the National Institute for Urban Affairs in
Delhi where she met Pradip Krishen, who introduced her to the world of films
and media, which Roy quickly gained a role. Eventually, she lost her desire to
be in the film world, and tried to occupy herself in other ways. She and
Krishen split, and Roy went on to write, The God of Small Things in 1997. (More
details on her life and India are included in the Background Project, which is
the video that can be found below.)
The
God of Small Things is a highly contested work, and Roy’s only work of fiction.
She has said before, this will be her only work of fiction and so far she has
stuck to her word. Major themes and motifs that appear are “The ‘Rules’
of Love”, “The Weight of the Past,” and the “Perception of Reality.” “The ‘Rules’ of Love” can be seen in Ammu’s
previous relationship, and later her relationship with Velutha, as well as in
the relationship between Estha and Rahel, in which they become lost after
previous experiences with their family and elsewhere and take their
relationship to a level considered inappropriate and undesirable for siblings,
especially twins, as well as Baby Kochamma’s relationship as she seeks after
Father Mulligan, among others. The “Weight of the Past” can be seen
particularly in the life of Estha who struggles constantly throughout his life
following his encounter with the Orangedrink Lemondrink man, among several
other characters. Finally, the “Perception of Reality” which is demonstrated
throughout the novel as Roy does not make her story follow the chronological
string of events, but rather jumps between times and places to provide the
perspectives of several characters in succession.
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